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The Conversations: Walter Murch and the Art of
The Conversations: Walter Murch and the Art of

The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaatje

The Conversations: Walter Murch and the Art of Editing Film



Download The Conversations: Walter Murch and the Art of Editing Film

The Conversations: Walter Murch and the Art of Editing Film Michael Ondaatje ebook
ISBN: 9780375709821
Publisher: Knopf Doubleday Publishing Group
Page: 368
Format: pdf


Walter recalls an observation he first made while editing The Conversation. Author Michael Ondaatje watched Murch work on the film of his novel The English Patient, and concluded editing was “the stage of film closest to the art of writing”. He found that Gene Hackman would blink very close to the point he The art of editing is cutting with the impression that there has been no cuts. The recording, processing, editing and mixing of sound effects, including “on screen”, Foley, and background sound effects, is often managed by a sound designer. Mountain, and for his work on the posthumous “director's cut” of Orson Welles' Touch of Evil – many of which he discusses with Michael Ondaatje in the book The Conversations: Walter Murch and the Art of Editing Film. The book is about Walter's perspective on film editing. Next time I am editing I will definitely think about Walter's approach. According to Walter Murch — the first person to be credited the title in recognition of his contribution to the film Apocalypse Now (Coppola 1979) — the role of the sound designer is to take care of the overall treatment of sound in film (Thom 1998, 122). In these darkened rooms, the editor has the power to slow or speed the pace of . If you’ve read his ontological discourse on editing, In the Blink of an Eye, or novelist Michael Ondaatje’s book The Conversations: Walter Murch and the Art of Editing Film, you know the answer to the second question. Described as the invisible art, editing remains a mysterious craft, difficult to judge without seeing the hours of film that have been rejected. Opening the door to the edit suites of Walter Murch, District 9's Julian Clarke, Precious editor Joe Klotz and The Hurt Locker's Chris Innis. Walter Murch is a famous film editor and sound mixer of such films as He compared his cuts to a blink of an eye: He began to see this on his first picture editing job for the film The Conversation (1974).





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